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Chase Li
Videographer
Meet Chase Li – Videographer, Visual Composer, and Keeper of the Frame
Chase Li doesn’t just shoot footage—he captures feeling. As Videographer at Go Cybernaut, Chase brings motion, rhythm, and story together in a way that makes everything feel alive. Whether he’s filming a brand piece, editing a quick reel, or directing a shoot on the fly, he’s always chasing the moment that makes people lean in.
Chase Li brings motion to the mission. As Go Cybernaut’s Videographer, he turns stories into cinematic moments — whether it’s an editorial shoot, a behind-the-scenes reel, or a short film that pulses with summer heat. A former skate videographer turned visual storyteller, Chase thrives on natural light, experimental cuts, and capturing fleeting, human moments.
His playlist “Heatwave Horizons“ is a sun-drenched mix of synth textures, lo-fi grooves, and blazing instrumentals — the kind of tracks that stretch long into golden hour and inspire spontaneous road trips. It’s both a sonic sketchbook and a mood board for his visual style: bold, intimate, and tinged with nostalgia.
Chase is the kind of team member who prefers actions to announcements. He’s often found collaborating with Indigo Rae on visual aesthetics, syncing with Rowan Okafer for illustrated sequences, or vibing with Leo Campos on campaign visuals that pop. Riley Quinn counts on him for fast turnarounds, and Simone Hart trusts him to intuitively capture the energy of a story without needing a shot list.
Cool-headed and camera-ready, Chase is Go Cybernaut’s eye on the move — steady, creative, and always chasing the next light flare.
Chase sees video as more than just visuals—it’s memory in motion. His style is thoughtful, immersive, and emotionally grounded. Every cut has intention. Every angle, a point of view. His camera is never just pointed—it’s listening.
His origin story started with skate videos and short docs, stitched together on an old laptop. That hobby turned into a passion, then a craft. From indie shoots to campaign content, Chase has built a portfolio that’s as artistic as it is strategic—always rooted in what the story wants to become.
Chase sees the world through a lens of curiosity and contrast—always looking for light, shadow, and meaning in motion.
Outside of the edit suite, Chase is:
When he’s not behind the camera, Chase is often found at the piano, out for a run, trying new recipes in the kitchen, or sharpening his aim at a dartboard. He also collects trading cards, hits the golf course on sunny days, and enjoys unwinding through the rhythm of cooking — which he considers just another form of storytelling.
And here’s one of those little things that tells you everything:
Chase always lets the camera roll a few extra seconds after the scene ends—just in case something true happens when people think it’s over.
Signature catchphrase?
“Let it roll. That’s where the magic lives.”
His north star?
“Frame the story. Follow the feeling. Capture what’s real.”
On the Bookshelf
Fiction: Project Hail Mary by Andy Weir
“Inventive, funny, cinematic. It’s like directing a blockbuster in your head.”Non-fiction: In the Blink of an Eye by Walter Murch
“A film editor’s bible. Deep insight into the rhythm of visual storytelling.”
